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Barns Fence in Foregroundcat.
These two works are unusual because they do not belong to a series of variant presentations of the same structure. More typical is Barns, cat. Another subseries consists of the famous Barn Abstraction, fig. The artist executed a more comprehensive view of the same building in , and yet another in the same year entitled Bucks County Barn cat.
The drawings with photographic analogues offer fascinating comparisons across media and shed special insight into the artist's creative thinking during this era. Sheeler's experiments in framing and stark tonal contrasts no doubt revealed the aesthetic possibilities in drawings of larger, more simplified shapes.
The photographs Sheeler kept private in his later career were often the most useful models. Bucks County Barn with Chickens cat. The barn represented in Bucks County Barn with Gable cat.
Two later oils, Bucks County Barn, fig. In all likelihood, an identical photographic source once existed for these three works. Such groups of interconnected imagery generated over decades indicate many features of Sheeler's artistry: Rourke describes the images as "some eight works in tempera, oil, crayon, of Pennsylvania barns called 'Barn Red,' 'Barn Contrasts,' or bearing similar abstract titles.
Some of these are two-dimensional except as the third dimension is produced by the firm texture of stone or the curve of a silo. All of them are presented in space, without surrounding contexts, and they are extraordinarily beautiful in color, with reds of great clarity and depth, with the many colors of the limestone Playing their refractions; the blacks and whites are both positive and exquisite.
These works are all partially abstract. Their secrets lie in the undiscoverable ways in which the oblongs and squares and cylinders containing stone or clapboarding or shingles are placed so as to result in a continuously flowing balance. Dense and opaque, the barn's colored planes resemble paper cutouts and raise formal issues that are also integral to the collage aesthetic.
The Bucks County barn series was in fact a milestone in Sheeler's lengthy project to absorb and adapt the principles of progressive European art. It followed a brief period of experimentation with virtually nonobjective compositions and then a return to minimally recognizable imagery.
The depicted objects do not clearly manifest a national or local tradition. Beginning with the barn series ofSheeler added specificity to his representations. Almost all the drawings subtly reveal the identity of the buildings as not only American but also as Pennsylvanian.
For example, in Barns cat. A cantilevered forebay appears prominently at the bottom right, a unique feature of these buildings, and the smaller outbuildings cluster around the larger structure in a way typical of Bucks County farmsteads.
The barns are still partially abstract, however. In the larger works ofthe artist similarly removes the barns from context; only one image, Bucks County Barn cat. All of the drawings lack human presence, even more acutely than in the corresponding photographs.
No farm animals, tools, or crops appear. However, unlike the photographs, none of them conveys a sense of the buildings' obsolescence or decay. The increased specificity of Sheeler's presentations therefore coexists with continued formal experimentation. For example, volume and three-dimensional space at first seem consistent in Barns cat.
In the main barn, Sheeler combines a fully frontal gable with side walls that recede in two opposite directions. The barn's eaves veer downward to the left and do not parallel those on the right. The building's shadow tilts inconsistently to the left, and the lack of a ridgepole on the roof defies the rules of realistic representation.
The fence rail extending from the shed to the post falls short of its implied destination, and overall, the work displays a conscious disregard for polish and completeness. Areas are smudged, lines overextend their boundaries, false starts and subsequent erasures remain visible.
The spatial inconsistencies and emphasis on drawing as a process rather than a finished product underscore Sheeler's evolving engagement with vanguard aesthetic issues in the barn series.Analysis of the Painting Bucks Country Barn PAGES 1.
WORDS View Full Essay. Sign up to view the complete essay. Show me the full essay. Show me the full essay. More essays like this: bucks county barn, bucks county barn analysis, charles sheeler. Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University.
Lot Essay The present lot is from an important series of photographs, paintings and drawings Sheeler made of Bucks County barns during the s–s. The barns in this vicinity were a distinct and prominent feature of the southeastern Pennsylvania region at this time, when the agricultural-based economy of the area required large barns for.
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He would later use it as the source for his painting Bucks County Barn which is now in the collection of the Museum of Modern Art, New York, a gift of Abby Aldrich Rockefeller only three years after its making.
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